Flora & Fauna 2001-2008
C-Print, 35 x 27,5 cm
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view work
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| 1936 |
Born in Cologne, Germany |
| 1956-60 |
Staatliche Werkakademie (State Art Academy), Kassel, 1. Staatsexamen (equivalent of M.F.A.) |
| 1960-61 |
Stanley William Hayter's Atelier 17, Paris |
| 1961 |
Tyler School of Fine Arts, Temple University, Philadelphia |
| 1961 |
Fulbright Fellowship |
| 1963-65 |
Returned to Cologne. Taught at Pädagogische Hochschule, Kettwig, and other institutions |
| 1966-67 |
Taught at University of Washington, Seattle; Douglas College, Rutgers University, New Jersey; Philadelphia College of Art |
| 1978 |
Award: National Endowment for the Arts |
| 1993 |
Award: Golden Lion (shared with Nam June Paik), Venice Biennale |
| 1994 |
Guest Professorship, Hochschule für Bildende Künste, Hamburg |
| 1997 |
Regents Lecturer, University of California, Berkeley |
| 1998 |
Prize of Helmut-Kraft-Stiftung, Stuttgart |
| 1967-02 |
Taught at Cooper Union, New York (Professor of Art Emeritus) |
| 2004 |
Award: Peter-Weiss-Preis, Bochum |
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Lives in New York (since 1965) |
Exhibitions (selection)
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| 2008 |
Galerie Sfeir-Semler, Hamburg
Paula Cooper Gallery, New York, NY |
| 2007 |
New York States of Mind, Queens Museum of Art, Queens, NY
Mask, James Cohan Gallery in collaboration with Joseph G. Gerena Fine Art, New York, NY |
| 2006 |
The Message Is the Medium, curated by Marshall Reese, Jim Kempner Fine Art, New York, NY
Hans Haacke wirklich, curated by Matthias Flügge, Akademie der Künste, Berlin, Germany
Hans Haacke - wirklich Werke 1959-2006, curated by Robert Fleck, Deichtorhallen Hamburg, Hamburg, Germany
Here + Now, Elizabeth Leach Gallery, Portland, OR
Fourteen Artists/Fourteen Years: Mahaffey Fine Art, curated by Annette Dixon, PortlandArt Museum, Portland, OR
Zero: International Avant-garde of the 50s and 60s, Museum Kunst Palast, Düsseldorf, Germany |
| 2005 |
Open Systems: Rethinking Art c.1970, Tate Modern, London, England
Monuments for the USA, California College of Art Gallery, San Francisco, CA
Kritische Gesellschaften: Kunst, Kritik und die Versprechen des Kapitalismus, Badischer Kunstverein, Karlsruhe
Bewegliche Teile-Formen des Kintetischen, Museum Tinguely, Basel, Switzerland
Occupying Space-Sammlung Generali Foundation, Haus der KUnst, Munich, Germany
Kontexte der Fotografie, Museum für Gegenwartskunst Siegen
behind the facts. Interfunktionen 1968-1975, Kunsthalle Fridericianum, Kassel, Germany
MIRRORICAL RETURNS: Marcel Duchamp and the 20th Century Art, Yokohama Museum of Art, Kanagawa, Japan |
| 2004 |
A Minimal Future? Art as Object 1958-1968, Museum of Contemporary Art (MOCA), Los Angeles
Behind the Facts, Interfunktionen 1988-1975, Fundació Joan Miró, Barcelona. Traveled to Museu Serralves, Porto
Art and Utopia, Action Restricted, Museu d'Art Contemporani de Barcelona, Barcelona
Beyond Geometry: Experiments in Form 1940s-1970s, Los Angeles County Museum, Los Angeles
Traveled to Miami Art Museum, Miami
Moscow-Berlin, Historical Museum, Moscow
70/90 Engagierte Kunst, Neues Museum, Nürnberg
Bewegliche Teile, Formen des Kinetischen, Kunsthaus Graz, Graz
Mirrorical Return, National Museum of Art, Osaka
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| 2003 |
Air, James Cohan Gallery, New York
The Last PictureShow: Artists Using Photography 1960-1982, Walker Art Center, Minneapolis
Traveled to UCLA Hammer Museum, Los Angeles
Berlin-Moskau, Martin-Gropius-Bau, Berlin
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